‘Resident Evil Requiem’ Review: Ten Tight Hours of the Series at Its Best
Capcom combines puzzles, horror, action and Leon S. Kennedy into one remarkably disciplined survival horror game.
Capcom combines puzzles, horror, action and Leon S. Kennedy into one remarkably disciplined survival horror game.
Pearl Abyss's vast open-world RPG is fascinating and frustrating in equal measure — a game made for players who love systems.
IO Interactive brings Hitman's patient sandbox design to a young Bond — a confident, cinematic 25-hour spy thriller.
David Ayer's survival drama finds its emotional center in the bond between an injured ex-soldier and his loyal military dog.
Fuse Games turns the thrill of podracing into a terrific arcade racer, with risky boosts, varied vehicles and a campaign that makes every crash count.
Takashi Yamazaki brings back the family at the heart of Godzilla Minus One for a grander, ferocious clash of movie monsters that still remembers the people beneath them.
Na Hong-jin returns with a huge, unruly Korean monster movie that pairs brilliant action craft with uneven creature effects and a baggy 160-minute shape.
Austin Abrams carries Zach Cregger's ferocious, funny reinvention of the survival-horror franchise through one spectacularly disastrous night in Raccoon City.
Paul Greengrass turns England's 1381 Peasants' Revolt into a visceral historical drama, with Andrew Garfield embodying grief, fury and a working class pushed beyond its limit.
According to IndieWire, the series bearing the fingerprints of Chris Mundy, Damon Lindelof and Tom King ties the prickly chemistry between Aaron Pierre and Kyle Chandler to a murder investigation set in Nebraska; the result is less a comic-book show than a bold anti-buddy-cop drama.
According to TheWrap, Jane Schoenbrun's new film digs into everything from the transphobia of the slasher genre to Hollywood's hypocritical "woke" posturing; Gillian Anderson and Hannah Einbinder's pairing generates a mesmerizing charge.
According to Wall Street Journal critic Kyle Smith, Kent Jones' Arthur Schnitzler adaptation tells the story of intellectuals fawning over a once-celebrated writer now working at a post office, delivered like a small, elegant poem.